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2024 | OriginalPaper | Buchkapitel

43. What You See is What You Get: Invisibility, Spectacle and Media Literacy in the Age of Digital Media

verfasst von : Shashidhar Nanjundaiah

Erschienen in: Handbook of Digital Journalism

Verlag: Springer Nature Singapore

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Abstract

Media literacy’s conceptualisations have largely been Western. Media literacy can be reimagined to adopt a community awareness role, especially in societies where access to digital discourse is compounded by social hierarchies. Media literacy endeavours to help media audiences detect misinformation from media and non-media sources and understand the multiplicity of media-disseminated realities. Meanwhile, the Covid-19 pandemic of the early 2020s accelerated the use of virtual interfaces in media literacy training programmes for communities. Learners are asked to scour the information landscape to verify, trust available texts on mainstream media, and in general consume and disseminate responsibly. ‘Mainstream’ media thrives on the virality of digital discourse. This fluid discursive interface between social media and mainstream media is problematic for media literacy’s efforts in creating rubrics users can follow in sifting information from misinformation. Digital discourse can appropriate what the mainstream news media may leave in visibilised: For example, one of the refrains among politically active WhatsApp groups that discredit mainstream media is that they hide truths and over represent minorities, or the converse. These are issues of absence, invisibility and unavailability of texts and communities. This chapter identifies media literacy’s limitations in addressing these issues. It debates whether media literacy can resolve these contradictions between digital and mainstream media. A model that can be further developed into an operational framework is warranted, and this chapter offers one.

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Fußnoten
1
The roundtable was held on 4 February 2022, and was curated and moderated by the author as a part of the annual Rise World Summit. The Summit, organised by Mumbai-based Rise Infinity Foundation, recognised media literacy as a key social issue for the first time (See www.​risesummit.​in).
 
2
A media prosumer may be defined as a consumer who is also a producer of media products, therefore is both a message- and a meaning-maker. See Berrocal et al. (2014) for the relationship between political communication and media prosumerism; Polletta and Jasper (2001) for collective identity and its communicative relationship with social movements.
 
3
A recent report (Knuutila et al., 2022) suggests that regardless of the prevalence of fake news, internet users in Latin America worry most about misinformation, while South Asian users have the least risk perception of misinformation.
 
4
India had 1.2 billion mobile subscribers in 2021, of which about 750 million are smartphone users (Press Trust of India, 2022). WhatsApp is a smartphone application owned by Meta, which also owns popular social media platforms like Facebook and Instagram. WhatsApp has become highly popular among users in India. It allows people to organise themselves into ‘groups’ managed by administrators. WhatsApp groups are frequently accused of spreading misinformation and conspiracy theories (Chauchard, 2021). Thousands of WhatsApp groups routinely campaign during elections for the ruling Bharatiya Janata Party (BJP) and routinely for its ideological parent, Rashtriya Swayamsevak Sangh (RSS). WhatsApp officials are themselves ‘concerned’ about rampant hate speech, threats of violence and false statements. This closed, peer-to-peer app is unmonitored and fully encrypted and is both more insidious (Goel, 2018) and more trusted (Nanjundaiah, 2018) than its counterparts like Facebook, whose texts are open to public.
 
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Metadaten
Titel
What You See is What You Get: Invisibility, Spectacle and Media Literacy in the Age of Digital Media
verfasst von
Shashidhar Nanjundaiah
Copyright-Jahr
2024
Verlag
Springer Nature Singapore
DOI
https://doi.org/10.1007/978-981-99-6675-2_43